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Saturday, March 21, 2021

 

Quick Article Index . . .

 

Massachusetts will advance to Step 2 of Phase III of the state’s reopening plan

 

Westport Women Taking Care of History

 

 

 

Massachusetts will advance to Step 2 of Phase III of the state’s reopening plan on Monday, March 1, and also announced its plan to transition to Step 1 of Phase IV on Monday, March 22.

Today, an additional 1,108 businesses are receiving COVID-19 relief grants totaling more than $49 million in awards to help with expenses

EverythingWestport.com

Friday, February 26, 2021

 

Baker-Polito Administration Announces Plans for Continued Reopening

BOSTON — Today, the Baker-Polito Administration announced that Massachusetts would advance to Step 2 of Phase III of the state’s reopening plan on Monday, March 1, and also announced its plan to transition to Step 1 of Phase IV on Monday, March 22. With public health metrics continuing to trend in a positive direction, including drops in average daily COVID cases and hospitalizations, and vaccination rates continuing to increase, the Administration is taking steps to continue to reopen the Commonwealth’s economy.

 

The Administration also announced more than $49 million in awards to 1,108 additional small businesses in the eighth round of COVID-19 relief grants administered by the Massachusetts Growth Capital Corporation (MGCC). These new awards are the result of work by MGCC to engage with applicants that meet sector and demographic priorities but are missing certain documents that are necessary to be considered for an award.

 

Phase III, Step 2:

On May 18, 2020, the Baker-Polito Administration released a four-phased plan to reopen the economy conditioned on sustained improvements in public health data. As of October, 2020, the reopening had proceeded to Step 2 of Phase III of the plan. On December 13, 2020, in response to an increase in new COVID-19 infections and hospitalizations following the Thanksgiving holiday, the Commonwealth returned to Step 1 of Phase III, reducing capacities across a broad range of sectors and tightening several other workplace restrictions. 

Since the beginning of this year, key public health data, such as new cases and hospitalizations, have been closely monitored and a significant decline has been documented, allowing for a return to Step 2 of Phase III, effective March 1 for all cities and towns. This includes the following updates to businesses, activities and capacities:

  • Indoor performance venues such as concert halls, theaters, and other indoor performance spaces will be allowed to reopen at 50% capacity with no more than 500 persons
  • Indoor recreational activities with greater potential for contact (laser tag, roller skating, trampolines, obstacle courses) will be allowed to reopen at 50% capacity
  • Capacity limits across all sectors with capacity limits will be raised to 50% and exclude employees
  • Restaurants will no longer have a percent capacity limit and will be permitted to host musical performances; six-foot social distancing, limits of six people per table and 90-minute limits remain in place

 

“Residents must continue to wear masks to prevent the spread of COVID-19, and are encouraged to avoid contact outside of their immediate households. The Travel Advisory and other public health orders remain in effect.”

 

Gathering Changes and Phase IV Start

Provided public health metrics continue to improve, effective on March 22, all communities in Massachusetts will move into Step 1 of Phase IV of the state’s reopening plan. This will open a range of previously closed business sectors under tight capacity restrictions that are expected to be adjusted over time if favorable trends in the public health data continue. Effective on the planned advancement to Step 1 of Phase IV, the following industries will be permitted to operate at a strict 12% capacity limit after submitting a plan to the Department of Public Health (DPH):

  • Indoor and outdoor stadiums
  • Arenas
  • Ballparks

 

Also effective on March 22, gathering limits for event venues and in public settings will increase to 100 people indoors and 150 people outdoors. Outdoor gatherings at private residences and in private backyards will remain at a maximum of 25 people, with indoor house gatherings remaining at 10 people.

 

Additionally, dance floors will be permitted at weddings and other events only, and overnight summer camps will be allowed to operate this coming summer. Exhibition and convention halls may also begin to operate, following gatherings limits and event protocols. Other Phase IV sectors must continue to remain closed. 

 

COVID-19 Business Relief Grants

Today, an additional 1,108 businesses are receiving COVID-19 relief grants totaling more than $49 million in awards to help with expenses like payroll, benefits, utilities and rent. To date, the Baker-Polito Administration has awarded more than $563 million in direct financial support to 12,320 businesses impacted by the pandemic through the Small Business and Sector-Specific Grant Programs.

 

Each business meets sector and demographic priorities set for the two grant programs. More than half of grantees are restaurants, bars, caterers, operators of personal services like hair and nail salons, and independent retailers. Over half of the businesses receiving relief are women-and-minority-owned enterprises. 

 

Today’s awards are the result of a process by MGCC to engage directly with applicants that met sector and demographic priorities but were missing documents necessary to be considered for an award. MGCC is continuing to work with business owners in targeted sectors and demographic groups to allow for applicants to submit necessary documents.

 

 

 

A little history to distract you from the present

We welcome your contributions to The Bell School Bugle. You can share your own memories or old photos by sending them to westporthistory@westporthistory.net.

 

 

 

Westport Women Taking Care of History

Written by Jenny O’Neill and Betty Slade

EverythingWestrport.com

Sunday, March 21, 2021

 

A Tribute to Commemorate Women’s History Month

 

It is striking how many women have been leaders in the effort to preserve Westport’s history. This series of profiles celebrates the contribution made by Westport women towards historic preservation, whether through documentation, education, building restoration, artistic expression, writings, and activism.

 

A common thread that links many of these individuals is their shared experience living in, having reverence for and restoring historic houses. Most had a broad interest in artistic expression, decorative arts, and traditional handiwork. Some were educators, teachers or writers.

 

These individuals were not from the world of professionally trained historians. Many, over time, were motivated to save specific historic sites, or as newcomers to Westport, were driven by a curiosity to learn about their adopted home, participating in committees, forming local organizations and working behind the scenes as volunteers for many decades.

 

We welcome suggestions of other Westport women who have contributed to local history and preservation. Our criteria include: must have lived in Westport and please note that although there are many women currently active in this field, for the purposes of this project, our focus is on those who are deceased.

 

Anne “Pete” Watson Lewis Baker (1929-2011) was born in Providence, R.I. She married Duncan Doolittle and had 4 children. She later married Robert Howe Baker (grandson of Louis Howe, chief of staff to President Franklin Roosevelt and boat builder) and had 2 children. She had a passion for the “soul” of old houses, falling in love “with crooked stairs, rain-soaked floors, rusty hardware, paint peeling door, the mystery of it all….I knew that a life dedicated to the study and preservation of our architectural heritage had just begun.” (Collecting Houses). As she became ever more entranced by the hands-on, dusty, dirty process of restoring old houses, she recalled the negative reaction of her first husband who informed her: “those are not the hands of a wife.”

 

Pete was a self-taught architectural historian who throughout her adult life saved more than 200 historic buildings in Westport and elsewhere. She organized conferences and workshops, was a consultant for WHALE, the Whaling Museum, Newport and Martha’s Vineyard historical preservation society. She was the key person helping Eleanor Tripp preserve the Handy House. She was a long-serving active member of the Westport Historical Commission, and worked hard to preserve the Westport Point Historical District and to save the chimney of the Waite-Kirby-Potter House (Westport’s oldest house) on Main Road. She received many awards for her work.

 

Like many of Westport’s women preservationists, she was also a talented artisan known for her ceramic pottery. During her life working with old houses, she collected many unusual architectural fragments such as molding samples, hinges, shingles and nails which are now part of the historical society’s collection. In 2002, she published a memoir Collecting Houses which chronicles her intense connection with old houses as well as a deep understanding of construction methods and craftsmanship. She was always willing to share her experiences with owners of historic homes, persuading many not to tear down a problematic old house but to choose instead the option of preservation.

 

Glenda Taber Broadbent (1918-2014) was the daughter of Andrew Taber (housewright) and Helen G. Kirby. She was the wife of Walter T. Broadbent. She lived in Westport Point her whole life. She graduated from Hyannis Teachers College and taught in several different schools in Westport. She was also town librarian from 1963-1967. She was an avid reader and historian, especially interested in the history of Westport Point. She wrote a book on the history of Westport Point United Methodist Church. A member of the Westport Historical Society (WHS) and the Westport History Study Group, she contributed much to history. She was given the Lifetime Achievement Award in 2012, the highest honor of the WHS. Her stories of her experiences of riding on President Franklin Roosevelt’s cart and meeting the soldiers at Gooseberry during WWII are a couple of the delightful memories she shared. Several interviews with her are available on the Westport Historical Society’s website.

Helen E. Ellis (1889-1978) is perhaps more notable for her contributions to historic preservation in New Bedford than here in Westport. She was not a historian in the traditional sense, but her appreciation of the past and her skills embraced a wide-range of interests such as woodcarving, music, books, antiques, decorative arts, nature, and education. She typifies the broad range of interests that women often brought to their community. However, her financial independence, entrepreneurial drive, and exceptional artistic creativity set her apart from her contemporaries.

 

A teacher by profession in woodcarving and physical education at Milton Academy in the 1910s, she found her way to Westport in 1916, purchasing an 18th- century cottage at Westport Point. Located at 1874 Main Road, it became known as FivElms, an homage to the five magnificent trees lining the front.

 

She never married. Her life in Westport brought many roles: noted woodcarver, curator of decorative arts at the New Bedford Whaling Museum, owner of a book store, and a tearoom in her own home! She was devoted to innovative forms of education, founding the Children’s Museum in Dartmouth in 1952. She was among the founding members of the Westport Historical Society and active in many other organizations such as the Women’s Club, Land Trust, and Westport Art Group. Her influence is still felt strongly locally many years after her death. With the establishment of the Helen E. Ellis Charitable trust, her name is linked to many local projects, cultural, educational and, of course, historical!

Mary Albright Giles (1909 – 1996) lived in Westport many years, was born in Ohio, and lived in New York and Washington, D.C. She was a university teacher and painter. She is known for founding an artist’s cooperative in the Wing Carriage House (later owned by Norma Judson) and completing an oral history archives project for the Westport Art Group. She completed 60 oral history interviews of “old timers” for the Bicentennial celebration in 1976, which were preserved on tape. Her deep, melodious voice can be heard in these interviews, gently teasing out responses from old-time Westporters. These recordings are now available on the Westport Historical Society website. She is an example of a person coming from outside Westport, falling in love with it, and trying to make her contributions to its history.

 

Mary Hicks Brown (1894-1990) could trace her Westport familial roots back to the 1700s. Born in 1894, she was the child of William B. Hicks and Caroline Davis Hicks. Following her marriage to Dr. Percy Brown she moved to Barre, Massachusetts but returned to Westport in the 1970s as a widow, residing at her family homestead, 1603 Main Road (Captain Barney Hicks property). An interest in genealogy grew out of an appreciation of her own roots.  Like many of our female caretakers of history, she had an interest in antiques and traditional handicrafts such as needlework and hooked rugs. Her primary contribution to our understanding of local history was as an artist and photographer, leaving us with a visual documentary of her hometown.

 

Mary Hicks Brown was an accomplished and sensitive artist, whose deep affinity for Westport’s natural environment and historical scenery is evident in the Impressionist oil paintings of fields, dunes, river and landscapes. Her paintings depict a simple cottage with well sweep, an ice house, hay ricks, farmhouses, summer and winter seasons. Some scenes are familiar to us today, others have captured sights that have long since disappeared from our landscape.

 

She was also a keen photographer, whose snapshots document many visits to historic sites, and especially providing a visual record of Westport’s oldest house, the Waite-Kirby-Potter House before it suffered irreparable damage by hurricanes.

 

The Westport Historical Society is fortunate to have acquired many of her paintings and an extensive archive of Hicks family papers, including many of Mary’s photo albums and scrapbooks. Sadly, she did not leave a written record of her local history knowledge, but her passion for the special beauty of Westport provides an equally valuable visual document of her mid-20th-century hometown.

 

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